Jokes are fine, but don't post tactless/inappropriate ones. Near the top of the list of the worst movies to watch on Mother's Day is "We Need to Talk About Kevin." When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. The novel by Lionel Shriver relates the story through a series of letters Eva writes to her husband Franklin. After this episode, Eva and Kevin seemingly become more affectionate towards each other. Indeed, one of. Was he acting out to punish Eva? That's a deeply human tale, and it calls to us, and I think that's why I see takes on the movie saying that it even encourages the viewer to think evil is in our nature and is immutable. otakucode 11 yr. ago Three days before turning 16, Kevin unleashes chaos in his school. We Need to Talk About Kevin : r/books. Kevin grows up, and the family moves to an affluent neighborhood in their very own castle. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. The moments of Grace are, as they should be, not in moments like the dinner scene but in the unexpected. I could have sworn that during the first time I watched it there was a scene of Kevin, Franklin and Celia in the garden and it shows how Kevin actually murdered them. Her emotional state doesnt change even when Kevin is born. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Instead, it's a personal story about a family or more specifically, a mother (an excellent Swinton) and her troubled son. Kevin chooses to wear only short and cheap garments. Be respectful! What if she knew while being pregnant that she is about to give birth to a monster? So, I'm personally glad that they distanced that part of the thing from this character, but there was so little overlap that - There's only seven comic books, I think, that have Jentorra in them - that we really did seem to have a lot more freedom to kind of create a fully new character for this. Franklin, on the other hand, does not give him a path to honest interactions. Kevin replies that he thought he knew why but now hes not sure anymore. But it's also pretty surface level. It is good to be more sensitive to the plights of children in general. SPOILER. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. In We Need to Talk about Kevin, Eva is literally on trial for parental negligence. Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. Keep your comments focused on the film. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. David Badash. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. If you are having trouble tying loose ends, let us assist you in the process. ROHAN: You have a few scenes with Kathryn Newton, who is playing Cassie, in the film. 2023 Cinemaholic Inc. All rights reserved. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. The point here is not to understand Kevin at all. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. KATY: We had this whole scene where we're all cheering at the end kind of thing. So, you kind of draw from that, but then, you also think about just putting yourself in that position too. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. All the community rules apply here. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. It must be something like this to have a nervous breakdown. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. Did your prior experience help prepare you for some of what to expect on Quantumania? When Eva goes to meet Kevin in the detention center, she asks him the same question. Menu. There is some resentment over Kevin's arrival deterring her professional ambitions. Is her husband as zoned out as he seems or is that only her perception? Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. The flaws of this largely overwrought story belong not so much to Ramsay as filmmaker as to Shriver's source novel. The comedy had to come elsewhere there. In this one, it is Kevin's triumph. KATY: It was really different, obviously, than the comic book version. Fr. The non-linear approach makes the somewhat inevitable events more powerful and though Miller is effective as Kevin, younger actor Newell actually impressed me even more. Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. He answers, I used to think I knew why, and now Im not so sure. This small act of hesitant humility is followed by Kevins embrace of his mother which can only be likened to the embrace received by that infamous scriptural progeny upon his arrival home. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . Swinton said as much in an interview, Its about her fears and the horror of what she knows about herselfusing him as a kind of projection of her own self-loathing. The film explores and identifies the hope to be found in the ashes of Ground Zero and in the wake of Columbine while never once attempting to sugarcoat the real darkness and danger that exist in our world. Alienated from friends and community, all she has left is her son. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Also, stripes are a striking feature that connects Kevins clothing sense from childhood to adolescence. We had a lot more time to prepare for the character, had a lot more time to delve into the script and the role wasn't just like, you know, here's four pages, learn it by tonight, you know? It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community wont rally around you and more often than not Mr. Potter carries the day. In 1975, he won the Pulitzer Prize for distinguished criticism. So, me, I'm surrounded by comedy, and I have to bring the reality of what's going on. Powered by WordPress.com VIP. Then she goes home. The victims of those who go out with a bang are miniscule in comparison to the number who go out (extinguish themselves) in solitude with nary a whimper. American release: January 27, 2012. KATY: Yeah, I mean, this obviously had the difference between TV and movie. He seems to recognize that he has some advantage over her. When we see an overdressed Eva beside Kevin, the distinction between the two becomes clear as daylight. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? She mentions that she believes he'll be released in five years. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. Like Jentorra kind of was the reason that her society collapsed in a way, in the comic books. Swinton is collecting a bevy of early plaudits and nominations, as well she should. For more information, please see our Tilda Swinton, in a bracing, tour-de-force performance,. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. Some animals sometimes know that something is not right with fetus and can even abort it voluntary or when it is born, they abandon it. Nature refers to how they were born, while nurture refers to how they were raised. However, she created a pattern whereby she only expresses herself to Kevin through disgust and fear. Not here. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Though unlike the Shakespearean character, the question of Evas guilt has a lot less cut-and-dried answer. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. In a sonic sleight-of-hand, the joyful cheers alchemise into the sorrowful cries of the families and friends of Kevin's victims. We Need to Talk About Kevin by Lionel Shriver plays with the deepest fears of the majority of people. Not that she has a ton of options she struggles to find work and be accepted by those around her. Maybe everything else is intended to be a flashback, and the timeline begins when she finds out what Kevin did at his high school. An early scene shows Eva apparently participating in an orgy in a lake of blood. Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. The brooding tone of the narrative prepares the audience for a devastating ending, but in hindsight, some of you may have seen it coming. Would any interference have prevented him from becoming a killer? Maybe he is subtly telling others that his mother does not take care of him. There is no pattern. Copyright | Firstpost - All Rights Reserved. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. Despite the fact that Eva is a travel writer of particular renown, she is bound by an understanding of mother/child relationships that do not correspond with her own relationship with her son. She's like a fish out of water. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. This review of the film was originally published on December 22, 2011. The film depicts him as a psychopath beyond redemption. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Read More: Best Movies About Mental Illness. February 24, 2023 at 12:05 PM ET. this is the best pro-antinatalism PSA out there . At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. We Need to Talk about Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking. Rated R We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. KATY: I kind of saw Jentorra as someone who was already part of a warrior society, so maybe she was used to fighting already, but in kind of a way different level. He buys a few locks before the school sabotage and has a decisive plan regarding how to go about it. However it wasn't in the film I watched today and I can't find the scene anywhere..did I just imagine this scene?! As Kevin develops, he refuses to be potty-trained, mocks Eva and rejects her attempts at physical affection. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . Cookie Notice Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. I watched this film several years ago and decided today I'd watch it again as I really enjoyed it the first time round! KATY: Yeah, I was so jealous, because I really loved it. This terrifying South Korean found footage horror movie directed by Jung Bum-shik follows an internet broadcaster who reunites a team of . She is the wrong person in the wrong life with the wrong child. It suffers from an excess of clunky foreshadowing and there's very little I find believable about the characters' actions. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. From here he becomes a sociopathic teen with a rather keen interest in archery. The truth to motherhood is a harsh one. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Don't get in arguments with people here, or start long discussions. Eva takes incessant trips down memory lane to cope with her past loss. It is an epistolary novel, comprising the letters that Eva Khatchadourian writes to her husband Franklin in the aftermath of their son's crime. It's no secret that We Need to Talk about Kevin is intended to challenge your assumptions about the people we think of as "evil." There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. it's difficult to accept why Eva keeps visiting her son in jail, at one point even asking why he did it. The red paint of vandals stains her car and the front of her house. It was definitely a challenge to play the straight character to these guys, but it was also kind of like, okay, this is my role. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. And I really am curious as to how she's handling a society of ultra-intelligent ants that basically flooded her world. True paternal love would have been expressed as abiding concern for the man his son could grow up to be if there really was a danger of mental illness, and result in the appropriate physical and mental health care to avoid a catastrophe. Years later, the birth of her daughter Celia, on the other hand, feels more festive. The bed, the gown, and the walls bleed into each other in their cold whiteness, externalising her inner state of mind. While Ant-Man and the Wasp: Quantumaniadidn't bring back several mainstays of the wider Ant-Man family, the film did introduce a number of new allies, namely Jentorra and her Freedom Fighters. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. BBC Films Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. Franklin didn't do that - he wasn't even there. It's why vandals paint Evas house in red, and neighbours take out their anger on her. and our This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. to revoke its approval of the two main drugs used for medication abortion in the United States. But recent years have shown horror films can write mothers full of contradictions that challenge the status quo. Will, get up. From ths beginning of the movie they lay out the whole story, but it isn't until you watch the full thing that you piece everything together and get this larger than life story. Directed by Lynne Ramsey Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. We see Kevin as a troubled kid who may need greater care. When the teenage Kevin surprisingly assents to a mother/son date, Eva is hopeful for the opportunity to cultivate a deeper relationship. Business, Economics, and Finance. She created a relationship which encouraged him to act out as horribly as possible to get the most honest reactions from her, because she only ever showed him her real emotions when she was disgusted. Only the daughter, Celia (Ashley Gerasimovich), seems halfway normal. For full Oscars coverage and commentary by its reviewer, Fr. Now, mommy wakes up every morning and wishes she was in France! She makes one feel her strung to the breaking point tension in scene after scene. It is true that there is nothing unusual about giving birth to children in order . The most horrendous thing for her to stomach is not that his misanthropy and violence is really exotic and foreign; the thing that is really horrendous is that she recognises it only too well, because it comes from her. Did they create a monster, or was he born that way? Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. His attitude towards his son is warmer, but underneath there's no more depth than there is with Eva. For instance, the ball game Eva plays with a toddler Kevin: when Kevin successfully rolls the ball back to her, her praise is strained and brittle. Don't post randomness/off-topic comments. A lawsuit could force the F.D.A. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? Her body can't absorb more punishment. We find ourselves inside the mind of a woman whose psychopathic son has driven her over the edge. There seems to be almost no form of abuse she is not willing to take as belonging to her for what has happened. Kevin overhears his parents talking about a divorce, which adds to his anger towards the world. Stripes provide Kevins character a continuity while shedding light upon his individuality. Eva's point of view is obviously not reliable, and her segments are intended to portray that she's entered a cycle of deep self-abuse over having raised a psychopath. The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. Kevin is a defiant baby who screams incessantly but never around Franklin. So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. All logos and images used on this website are registered trademarks of their respective companies. Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. In Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold identifies how mothers as characters suffer from a Manichean oversimplification, or as she calls it the unstable ideology of idealised motherhood. Kevin, it seems, has a method to his madness. Kevin examines both our darkest moments and those slivers of Grace that sustain us. In a fit of rage at Kevin's soiling his diapers (at 7), Eva throws him down and breaks his arm. Starting with Eva - she is intentionally painting herself in the worst possible light, which ironically covers up the actual extent of her emotional abuse, since she is flagellating herself only for the worst moments of her parenthood - the lowlights - and not looking at the whole picture. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. Eva finally asks why he did it. Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. That the film works so brilliantly is a tribute in large part to the actors. The film moves without any pattern between past, present and who knows when. KATY: Yeah, I mean, a lot of it would be drawn from movies, essentially. She has a career as a writer put on hold, while her husband Franklin (O'Reilly, at his most oblivious) carries on. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. The flow-on problem with Kevin's malevolence is it defies credibility that the father can't see any problem with his son (or, that Kevin is clever and manipulative enough to deceive him from an early age). Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. His son is who Franklin says he is, and anything else is just invisible. 112 minutes The film follows the relationship between a mother and son, Eva (Tilda Swinton) and Kevin (played as a teenager by Ezra Miller and as a child by Jasper Newell) through a pastiche of sequences spanning the course of Kevins first eighteen years. With Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell. Read on for our full interview with Katy O'Brianand please remember to SUBSCRIBE to my channel for exclusive content! He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. When he breaks his arm? A demon seed. Kevin was never the apple of his mothers eye, which he realized from early childhood. When Eva dips her whole face in a basin of water, her face turns into Kevin's. The opening shot fades to white, before cutting to a sea of red in the next sequence, foreshadowing the bloodshed to come. Contact | Each rewatch only feels more rewarding because Ramsay is so pure and gifted a filmmaker she rattles and revises our preconceptions of what a movie and yes, mother too can be. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. Kevin is neither rational nor articulate enough to identify his desire, that is, to have an authentic and fully realized relationship with his mother. Did you work with her individually on creating some of that dynamic since Jentorra is someone that's been in this fight a long time versus Cassie who is just beginning her fight against Kang? This is not entirely his fault. Kevin abused his mother because she developed a relationship with him where he could have honest interactions with her if he did. ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. This model of motherhood so deeply rooted as it is in the biological doesnt leave much room for aberration, such that any rejection by the child becomes an indictment of the mothers entire existence. Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. We see this throughout Kevin's early developmental journey. Her only crime was perhaps hurrying into the role before she was ready. To express concern over a child's habitual malice is coded as monstrous. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. However, we dont really know why Kevin kills his family. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Community Guidelines | Terms Of Service | The sci-fi adventure opens in theaters on Feb. 17, 2023. Kevin does not play ball, and he becomes increasingly manipulative. By provoking her, Kevin is able to get some precious emotional honesty out of her. We cling to guidelines like the length of Tilda Swinton's hair to figure out where we are. Kevin appears in a short sleeve red shirt as a toddler. Kevin predominantly shows signs of antisocial personality disorder, and when it is left unnoticed by his parents, Kevins condition takes a wrong turn. 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